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So You Want to Grow Your Blues Community (or How to Help your City Catch the Blues) By Pavel Tsinberg, San Diego-ish. I live in a city that is better known for its fish tacos and draconian beach rules than for being a stronghold of blues dancing.  We don’t suffer from a lack of blues bands, just haven’t really developed a thriving blues dance community.  A little while ago, our only consistent blues (dance) venue ended its run and, coincidentally, some of the stronger dancers left town or sashayed into semi-retirement.  My dance world developed a void, and I got involved to spread to word.   Below are some thoughts on aiding and boosting the local blues scene. Form a committee (yep, shades...

Jack & Jill Finals Jack & Jill finalists (in spotlight order): Michael Marnane & Ellen Murray Gabriel Hout & Vitalia Brukhanska (3rd Place) Taras Melnyk & Whitton Frank (1st Place) Forrest Rogers-Marcovitz & Annette Kühnle (2nd Place) Vivien Nivesse & Noy Bieber     Strictly Blues Finals - Spotlights Strictly Blues Finals - All-Skate Strictly Blues finalists (in spotlight order): Forrest Rogers - Markovitz & Whitton Frank (1st Place) Joe Buckett & Earanee Niedzwiecki Vivien Nivesse & Noy Bieber Gabriel Hout & Annette Kühnle Michael Marnane & Toyin Adelasoya (3rd Place) Taras Melnyk & Vitalia Brukhanska (2nd Place) Solo Blues Finals Solo Blues finalists (in spotlight order): Amani Said (1st Place) Forrest Rogers - Markovitz (2nd Place) Natalya Davydova (3rd Place)   Showcase - Ghost...

Consent is a topic that has popped up everywhere in the last year and blues dance communities all over the country are no exception. Consent is often brought up as a piece of the larger debate centered around how to make our dances safer and more welcoming places, for both new and existing members. From Merriam-Webster: consent - to agree to do or allow something : to give permission for something to happen or be done When we’re talking about consent in the dance community, there are two categories of things that ‘can be done’ that we talk about. Dance things and non dance things. This article will focus on the dance related consent issues. Historical Model The historical...

1. Dance blues. Okay, sure, there are some well-known blues DJs who don’t actually dance.  And they are successful, right?  Well, sometimes.  However, it makes DJing blues MUCH easier if you actually do the dance yourself.  You get a feel for what makes a song “danceable,” and what rhythms are interesting to dance to and which are not.  You learn which songs are your favorites to dance to, and which songs make you and your friends want to leave the dance floor.  It’s also good if you can try dancing to your own music that you are going to DJ – you can test it out and see if it is fun to dance to, and then if it is,...

Connection and self-improvement. That’s it. These two things are the driving forces behind a person’s transformation from casual dancer into lifer. When blues, or any activity, continually provides people with opportunities to feel connected and feel that they are improving themselves, those people (provided they are not getting more of these things from other sources) will be hooked. Great, but what actual actions do we take, what areas do we build up, to continually reinforce these feelings for ourselves and for others?   Community Social dance venues are places where people gather together at least once a week. (Think: church or writing group or community center.) Everyone has people they hope to see whenever they go out dancing, people they have wonderful,...